She springboards as successfully off ’90s-reminiscent guitar riffs as she does grunge, chewing-gum synths. As such, labeling Runway a “rapper” feels reductive.
With extraordinary vocal dexterity, the artist spits and sings, chants, and builds out the beat-all on the same track. The complicated truth is Runway is forging a new path between hip-hop, rock, dance, and pop.
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“It’s pop, but it’s my own thing,” she sighs when Uber drivers ask her to define her music. Her acceleration to the big leagues can be largely credited to her uncategorizable sound. “Nothing is going to make me a star more than I already feel like I am. “I already know what I am,” Runway impresses. Now Runway is well on her way to joining the ranks of creatives hailing from her hometown of Hackney, London-which small-time successes Edgar Allen Poe, Sid Vicious, and Idris Elba also call home-as industry tastemakers have embraced the creative en masse. No one has questioned her since-mostly because she proved herself right. “This is my identity, this is my music, and this is where I want to go with it.” “Right, everyone, slide one,” Runway began, when “anyone who was anyone” at the company had gathered for her impromptu lecture. Equipped with a schoolteacher stick, she toddled into the label’s conference room in heels that spelled Runway and propelled her just shy of an extra foot. Within seven to 10 working days of her first record deal, Bree Runway had devised a Powerpoint presentation.
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